Lucky Number Slevin on blu-ray

How boring it is to label a movie Tarantino-esque anymore. The thing is, when it comes to an offering like Lucky Number Slevin, the shoe fits, and the result is anything but boring. Gruesome killings, arid wit, self-reflexive pop culture references, an A-list cast, and style-heavy production values abound, which gives the proceedings an epoxy bond that seals the Q.T. homage factor. Josh Hartnett–who spends a lot of buffed-up time with his shirt off–is Slevin Kelevra, a hapless fellow visiting his New York friend Nick. But Nick has disappeared, which sets off a mistaken-identity thrill ride when two goons grab Slevin (he’s in Nick’s apartment so he must be Nick) and take him to their crime lord boss, the Boss (Morgan Freeman). The Boss doesn’t care about Slevin’s wrong-man protests; he just wants the $96,000 Nick owes him. In one of many offers he can’t refuse, Slevin has to agree to murder the son of the Boss’s felonious arch rival, the Rabbi (Ben Kingsley) or take the bullet himself. But Slevin turns out to be no ordinary patsy. Thrown into the ingeniously designed production, clever plot twists, and academic nods to Bond, Hitchcock, and obscure old cartoons are Lucy Liu as a sexy coroner, Stanley Tucci as an obsessed cop, and Bruce Willis as a wily hit man with his finger in many pots. With so much visual and narrative trickery, there’s almost too much to absorb in one viewing of this convoluted jigsaw puzzle of revenge and entertaining mayhem. Lucky Number Slevin isn’t quite up to par with similarly brainy thrillers like Memento and The Usual Suspects, but the prospect of seeing it again in order to get your bearings is just as appealing.

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Trans-Siberian on blu-ray

In Transsiberian, a train twisting across the white Siberian landscape becomes a trap for a well-meaning American couple, Roy (Woody Harrelson) and Jessie (Emily Mortimer), who find themselves pursued by a Russian policemen (Ben Kingsley) while on a trip to Moscow. On the train, they befriend a younger couple–but the charming pair hold secrets that draw Roy and Jessie into a frozen nightmare. Transsiberian’s snowy setting is both beautiful and eerie, providing an evocative atmosphere that helps carry the viewer through the sometimes bumpy plot.

At its core, Transsiberian is about the anxiety of being in a new world–be it a new country or a new phase of your life–and not knowing the rules, the fear of taking the wrong step and falling. The thriller plot is little more than a delivery system for that sensation. But really, all director Brad Anderson (The Machinist, Next Stop Wonderland) needed was Mortimer’s limpid face; every tremor that crosses her pale skin reverberates through the camera. Her essential vulnerability first came across in Lovely and Amazing; Anderson makes good use of this rare quality.

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