Monster on Blu-ray

Charlize Theron (The Italian Job Trapped) explodes in a magnetic Oscar-winning (Best Actress 2003) performance as convicted killer Aileen Wuornos. Severely abused and unloved Aileen immersed herself in the dangerous world of highway prostitution…until she met Selby Wall (Christina Ricci Sleepy Hollow) a naive girl who was Aileen s last chance at a normal life. But ultimately all Aileen understood was violence and nobody imagined the nightmare that awaited the seven men standing in the way of her happiness.

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Nixon on Blu-ray

Oliver Stone’s controversial drama about the Nixon years in the White House stars Anthony Hopkins in a genuinely great performance as the scandal-plagued president. The film attempts to wed suggestions of Nixon’s formative experiences as a boy to his political connections with shady movers and shakers and finally to his self-destructive tenure in the Oval Office. The Watergate scandal is revisited rather impressionistically–it may be hard for viewers who weren’t alive then to get a sense of what the crisis was about. The parade of stars playing figures in Nixon’s orbit–J.T. Walsh as John Ehrlichman, James Woods as Bob Haldeman, David Hyde Pierce as John Dean, etc.–is fun if a tad distracting. Joan Allen got a well-deserved Oscar nomination as First Lady Pat Nixon, and Hopkins got one as well.
By Tom Keogh

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The Scorpion King 2: Rise of a Warrior on Blu-ray

See how the legend of The Scorpion King began! When a young Mathayus witnesses his father’s death at the hands of the king (UFC Champion Randy Couture), his quest for vengeance transforms him into the most feared warrior of the ancient world. From the director of Resident Evil: Extinction and Highlander comes a heroic adventure filled with heart-stopping action and thrilling visual effects.

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Best of Both Worlds Concert: The 3-D Movie on Blu-ray

The Hannah Montana & Miley Cyrus: Best of Both Worlds live concert was a sold-out sensation everywhere it played, and this concert video is the next best thing to being there for all the fans that couldn’t get tickets to attend the concert in person. The movie opens with Miley Cyrus backstage in make-up and hair, warming up with vocal exercises, then cuts to Hannah Montana (her alter ego)’s performance of “Rock Star,” and then back in time to four weeks before her performance when concert rehearsals were just beginning.

It runs like a backstage special feature for a while, following Hannah Montana through coaching, choreography scenes with Kenny Ortega, and rehearsal sessions. Then it’s back to concert footage from opening night in St. Louis and all along the tour, seasoned here and there with some fun looks at the concerts’ special effects, quick costume changes, other logistical challenges (Hannah gets dropped during a routine early in the tour), and lots of shots of the enthusiastic, mostly female ‘tween audiences. The 3D format gives the audience a nice sense of being there and includes some effective, if somewhat overused shots of the crowd waving, Hannah/Miley reaching out to the audience, and fun stunts like the drummer’s twirling stick thrown high in the air and the guitar player’s pick being tossed out into the audience. The sound is adequate, but fails to replicate the live concert experience (the plus side is that the audience’s ears won’t be ringing for hours after the performance).

Hannah Montana’s performance includes “Rock Star,” “Life’s What You Make It,” “Just Like You,” “Nobody’s Perfect,” and “We Got the Party.” The Jonas Brothers perform “When You Look Me In the Eyes” and “Year 3000,” and then Miley hits the stage with “Start All Over,” “I Got Nerve,” “I Miss You” (which Miley wrote in honor of her Granddad’s passing), “Going Away,” “GNO: Girl’s Night Out,” and “The Best of Both Worlds.” This 3D concert presentation truly is the “best of both worlds,” a 3D concert experience with easy availability and minimal expense. Better yet is the message that girls can do anything they want if they put their minds and hearts to it. (Ages 7 and older)
By Tami Horiuchi

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Street Kings on Blu-ray

Street Kings is a pungent bouquet of corruption, violence, multi-ethnic mayhem, macho glee laced with macho angst, and fluorescently obscene dialogue from the mind of James Ellroy. Its hero, though he’d scarcely consent to be called one, is L.A. police detective Tom Ludlow (Keanu Reeves), for whom life is a wound that won’t heal and dealing out retribution to scumbags is the ongoing treatment. Ludlow’s the star player–”the tip of the [expletive] spear”–on a team of detectives headed by Capt. Jack Wander (Forest Whitaker). Coach Wander relies on his boys to keep breaking lurid cases, usually through deeply darkside underground work, and raising his profile with the media and the department.

In pursuit of these goals, nothing is forbidden except failure, and the truth is what you make it look like. This is familiar Ellroy territory, most effectively translated to the screen in L.A. Confidential (which should have won the 1997 Oscar, and would have if Titanic hadn’t launched that year). If you know Ellroy’s ground game, you can pretty much guess where Street Kings is going, and where it’s been. Still, the twists and torques of its urban road-rage course maintain the centrifugal force needed to hold us in our seats (a tactical highlight: refrigerator adapted as rolling barricade), and the movie keeps bopping us with oddball casting coups: comic Jay Mohr and Northern Exposure/Sex and the City veteran John Corbett as two members of Coach Warden’s gonzo detective squad; Cedric the Entertainer doing a nicely nuanced turn as a street creature; Hugh Laurie doing a less-hyper version of House, if House worked Internal Affairs.

The problem is that director David Ayer keeps everything intense. Dialogues are shot too close-up, line readings are too strident, the action is too nonstop slam. Recall Curtis Hanson’s L.A. Confidential and the mind’s eye summons up a whole spectrum of existence, mood, place, historical period, emotional investment; there’s an amplitude to the picture and the sensibility bringing it to us, something besides the whodunit and the endless rap sheet of nasty what-they-done. Everything in Street Kings is one-note, and with Keanu Reeves playing it implosive and Forest Whitaker locked in crazier-than-an-outhouse-rat mode, that’s no way to stay the course.
By Richard T. Jameson

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This week list shows us 11 new blu-ray releases.

Terminator - The Sarah Connor Chronicles - The Complete First Season
Street Kings
Best of Both Worlds Concert: The 3-D Movie
The Scorpion King 2: Rise of a Warrior
Nixon
The Proposition
Camp Rock: Extended Rock Star Edition
Justice League: Season One
Prom Night (Unrated)
The Life Before Her Eyes
Monster

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The Counterfeiters on Blu-ray

A deft blend of suspense and docudrama, Stefan Ruzowitzky’s sixth feature focuses on history’s largest counterfeiting operation. Before World War II breaks out, Salomon Sorowitsch (the compact yet steely Karl Markovics), a Russian-born Jew, lives the good life in Berlin. He forges documents, like passports and banknotes, and sketches beautiful women to the romantic strains of tango records. Sorowitsch’s dolce vita comes to an end when he’s sent to Mauthausen concentration camp.

Once Reich officials decide to deploy imprisoned printers, craftsmen, and bank officials to counterfeit foreign currency, they draft Sorowitsch for “Operation Bernhard” and ship him to Sachsenhausen. Though he and his colleagues receive preferential treatment, the threat of execution hangs over their heads at all times. First, they master the pound; then they tackle the American dollar. At this point, communist co-worker Adolf Burger (The Ninth Day’s excellent August Diehl) suggests sabotage. As he explains, they’re extending the conflict and increasing the death toll, but the entire team will suffer if they fail, even their SS supervisor, Freidrich Herzog (Downfall’s Devid Striesow), whose career depends on it. As Jews, however, they stand to lose more than their jobs.

Based on Burger’s book The Devil’s Workshop, Austria’s Ruzowitzky (Anatomy) sheds a compassionate light on the guilt and complicity of survivors. Though The Counterfeiters plays more like a prison camp movie than a Holocaust drama–Stalag 17 comes to mind–that doesn’t make it any less significant, just less wrenching than some of its counterparts.
By Kathleen C. Fennessy

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Nim’s Island on Blu-ray

Adventure doesn’t always begin with pirates on the high seas or explorers deep in the desert; sometimes it starts with an idyllic life on a private island in the middle of the South Asiatic Sea. For 11-year old Nim (Abigail Breslin) and her father and microbiologist Jack Russo (Gerard Butler), life is perfect thanks to their love of nature, Jack’s mechanical ingenuity, and regular deliveries via supply ship. Loneliness is never an issue for Nim because of her special friendships with Selkie the sea lion, Galileo the pelican, and Freddie the iguana and her education is intensive, if rather unique.

Adventure and imagination are ways of life for Nim whether she’s heading out to sea to help her father collect plankton specimens, playing soccer on the beach with Selkie, or delving into the latest Alex Rover adventure novel, but everything changes when Jack departs on the boat for a two-night expedition to collect plankton specimens and gets caught in an unexpected storm. Alone on the island, Nim begins to worry about her father’s safety as well as her own and, through a chance email, connects with Alex Rover (Jodie Foster) whom she begs to come help find her father.

Problem is, author Alexandra Rover is an unbalanced big city shut-in who’s afraid to leave her townhouse, not the fearless adventure hero portrayed in her books. Nim, Alexandra, and Jack embark upon the adventures of a lifetime in which each must overcome his or her own fears and perceived powerlessness and limitations in order to grow and help one another. The question is; can each prevail against his or her own insecurities and the fury of nature? Based on the novel Nim’s Island by Wendy Orr, Nim’s Island is first and foremost a captivating adventure full of suspense and peril which also offers a touching look at the love between a father and daughter. (Ages 7 and older)
By Tami Horiuchi

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The Doors on Blu-ray

Thanks in large part to its meticulous re-creation of the late-1960s and early-’70s rock scene and the uncannily authentic performance by Val Kilmer as legendary Doors frontman Jim Morrison, Oliver Stone’s hypnotic film biography is standing the test of time. Capturing the carefree mood of the Age of Aquarius, the film charts the meteoric rise of the Doors on the California club circuit (including a memorable scene showing the creation of the hit “Light My Fire”), and chronicles the band’s exploits with hallucinogenics and Morrison’s battles against charges of public indecency on stage.

Kilmer’s performance is hauntingly perfect, and performances by Meg Ryan, Kathleen Quinlan, and Kyle MacLachlan are similarly impressive. The movie doesn’t fully probe the depths of Morrison’s character, but as a portrait of excess it is vividly true to the spirit of the self-destructive poet known to his fans as “The Lizard King.”
By Jeff Shannon

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Kiss of the Spider Woman on Blu-ray

Kiss of the Spider Woman starts out simply enough, hemmed in by the narrow walls of a Latin American prison cell. Molina (William Hurt) is telling his new cellmate, Valentin (Raul Julia), his favorite story. Molina is a delicate homosexual imprisoned for seducing a minor; Valentin is a bearded revolutionary still bleeding from his interrogation. If their film unfolded into the typical prison buddy plot, it’d still be a good movie. But this is a great movie. There are stories twisting within stories, each drawing a new, surprising level of difference between the two heroes: escapism versus realism, romance versus politics, gay versus straight, hero versus coward.

As their unstable friendship grows more real, their stories become more vivid–whether Molina’s fondly remembered Nazi propaganda noir, Valentin’s tortured romantic history, or a tropical island fable told merely to pass the time. (Each substory stars Sonia Braga, a neat bit of casting that further blurs the line between fantasy and reality.) By the end, each man has changed just enough to taste the other’s tragedy–a transformation that gives each the strength to define freedom on his own terms, despite the brutality of the prison and the bleak world beyond its walls.
By Grant Balfour

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